As I type with my eyes closed, as I often do, I think of my favorite high school teacher who made me type and retype student reporters’ stories onto clean, half sheets of newsprint. In the mid-1970s I was the editor of the high school newspaper, and the bonus of doing all that typing was that I got to do it on the first IBM Selectric I ever touched, the first typewriter I fell in love with, which lived in Mrs. C’s small office.
“If you can type clean copy with your eyes closed, you’re a pretty good typist,” said Mrs. C.
Over the years I worked hard to become that pretty good typist, my fingers growing stronger as they took me to other typewriters—from my mother’s small Smith-Corona portable to the gray elephants of Underwoods in their hard plastic skeletons at the college newspaper to the keyboard of my first Macintosh computer and many that followed.
But I never lost my affection for the Selectric, which, even without a correcting ribbon, was the smoothest typewriter ever made. (I still occasionally type on a 1960s red Selectric that lives with me.) I was never as fast on it as Mrs. C., though, or, I imagine, nearly as accurate.
After she was handed the responsibility for the yearbook and newspaper at a new high school in 1966, Mrs. C. sought guidance from editors at the local newspaper in our town. She’d been an English major and told me years later that she had known next to nothing about newspapers. But over the years she turned herself into a truly gifted journalism adviser who gave me and so many others some of our best lessons in reporting.
A couple of months ago, prompted by another one of her former students, I started looking for Mrs. C. a couple of months ago, wondering why, despite sending emails over the years, I had not heard from her.
She and her longtime partner had moved, so that was part of it. But when I recently reached her partner by phone, he told me that Mrs. C. was struggling—as had her mother and a sister—with dementia, though she is still in good health.
He said that Mrs. C. had opened my email and sat before the computer as if she intended to respond. “But she just couldn’t,” he explained. “I think she’s forgotten how to use a computer.”
He offered his help, and she refused it.
That’s when my eyes filled, and the crack in my heart widened a little for all those we lose in one way or another.
I wonder if, somewhere deep inside, her fingers still know their way around a keyboard, even if plaque in her brain is blocking the signals to make them perform.
When I knew her, Mrs. C. seemed at the height of her powers—not only a very clean typist but also a champion writing teacher, editor and encourager. She also advised the yearbook, and my dear friend Lisa, the yearbook editor, and I, editor of the newspaper, came to both cherish and fear Mrs. C’s left-leaning handwriting on copy she returned to us. She tapped my sister (also a leftie) to edit the yearbook two years later, and Donna got similar notes of correction and praise.
Though a serious taskmaster who did not tolerate sloppy writing or laziness, Mrs. C. had a delightful laugh and (years later she told me) loved “most of” her students. Even more important, she served as a springboard for many young people, including me, who bounced into college and later into careers as writers and journalists in print and broadcasting, teachers and professional communicators and much more.
She was not my only excellent writing teacher/adviser/coach, but she was one of the very best who installed important skills at a crucial point in my development as a writer—not least insisting on good typing habits.
My eyes are closed as I type this, remembering that petite, strawberry blonde-haired woman bustling around the small room in a high school in a small Northern California town where so many newspapers and yearbooks were born. I feel her still, leaning over my shoulder, noting a typo or praising a phrase.
My mother, who died in December, and Mrs. C. were two of my first, best editors, both gone now in different ways, both embedded in my writerly editor’s heart that—dear god, please—will carry on their lessons as long as I have breath and brain to do so.
(Lake Tahoe, west shore, in memory of Margery Thompson)
Five days after you die, we head to the Big Blue, the high mountain lake where all manner of spirits live, and now, we imagine, you have joined them.
The Wa-She-Shu, the ancestral people, migrated here each summer from the hot Carson Valley to fish and hunt and gather berries at da-ow-a-ga, “edge of the lake.”
Surely they continue in spirit form, their Washoe descendants honoring them to this day,
as we remember you, talking story about “the time when…,” carrying your love with us to the ends of our days.
With luck, one day we might join you and the spirits whose lights we see dancing under dark clouds to the east,
from our spot here at the end of your final summer season, in a little room called Evergreen Heaven at the edge of the lake.
Evergreen Heaven at Cottage Inn, outside Tahoe City, California / Photo: Jan Haag
On the second day at the lake a storm warning and prophetic graying skies, rimmed by a hint of light over the mountains to the east.
Sure enough, about mid-afternoon, I walk to the same spot overlooking the beach, where yesterday beamed with unseasonable warmth and happy lake-goers,
where today I watch a pewter sea of clouds turn thick and muscular, cumulonimbus body builders obscuring the far shore, and beneath them a vertical a wall of white moving north.
I love listening to thunder when it rumbles through this great granite bowl like the lowest note on the biggest tympani, though not when it turns ominous, slamming the sky like a sharp whack on a bass drum.
Now the temperature drops as the wind picks up, the pine boughs above me starting to shimmy, the lake matching the sky, no longer the rich cobalt of yesterday.
But two mallards swim and float near shore as I imagine they do daily in their ongoing search for sustenance, seemingly unconcerned about weather.
Now comes the rain, gently polka-dotting the surface at first, drops bouncing as if the rain gods have loosed thousands of marbles along with the rolling thunder and lightning I cannot see.
I think of the boatful of family and friends celebrating a birthday on this lake two months ago on the summer solstice, caught in a wicked afternoon storm that no one predicted, choppy ocean- sized waves capsizing the boat, drowning eight.
Today one small boat churns steadily south, and I, the only one watching from this rise above the beach, raise the hood of my jacket, whispering, Peace, white light and safety, my constant prayer these days,
hoping that this boatman soon reaches safe harbor, gets securely tucked in, as we all need to be until this storm passes.
Looking east across Lake Tahoe, Sept. 2, 2025 / Photo: Jan Haag
That, when I bent over and kissed her cheek as she lay on the sofa—the spot from which she would not rise the next morning—I didn’t say, aloha nui loa, mahalo nui loa—much love, many thanks.
That I didn’t say the same to her adoring husband sitting in a chair next to her, ready to get her anything she might ask for.
That her brother, my longtime sweetheart, stood nearby, thinking, like me, that we’d see her again.
That I said we would return in three days to talk about details for her “after-story.” That I didn’t want to use the word “obituary,” though she knew what I meant. That her generous, struggling heart was already counting its final beats.
Sorry that while I still have breath, she no longer does.
That as my belly swells and my ribs rise, air filling my chest up to my collarbone, she will never issue a hearty chuckle or sing a favorite song or dance to a good jazz band or cook a family dinner.
That I will never again sit at her table, happy to eat anything that woman put on a plate
That her essence will hover in my kitchen each time I make custards the way her mother taught her, the ones I brought this sorta-sister-in-law in her final months.
Sorry that I still don’t have all the particulars to write a proper obit.
That we will never again stand together before the fridge in her kitchen, looking at one of my poems affixed to the silvery box with a magnet shaped like a flip-flop.
That she—who claimed that she didn’t “get” poetry—will no longer tell me that she got a kick out of a particular poem and quote lines she liked.
Sorry that we’ll never again see her smile, which was—to so many who loved her—the perfect poem.
•••
(In memory of Margery Thompson, 1946–2025, the best sorta-sister-in-law ever.)
Margery and John Thompson, hangin’ 20, Kauai, 2005 / Photo: Dick Schmidt
In late August when the sycamore starts tossing leaves brittled by unrelenting sun, I’m always surprised to find the lawn littered with the dead and dying. It happens annually, but it feels unseasonably early.
I’ve called this sycamore mine for 38 summers. Perhaps our real purpose is not to imagine that we own anything, but to embrace the notion of caretaking, that we are here to take care of what needs taking care of. Especially each other, I think as my feet crunch over what lies beneath, as I take up the wide fan of a rake, and begin taking care again.