To the departed valentines

We know that they walk with us
every day—or maybe they flit,

fly, flutter by in the wingéd things
or in winking bits of light.

We feel them more often than
we speak of them, the dearly

departed, because who wants
to hear one more time how

much we miss them? Which
is contradictory, we know,

when they’re here—right
here—whenever we think

of them, little lightning strikes
of recognition that, if we’re

lucky, still prompt a tiny
flutter inside, these

forever beloveds, just
popping in with a quick,

sweet hi.

(Paper qulling by SenaRuna)
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Windswept

Shell Beach, one of the beaches at Sonoma Coast State Park / Photo by Dick Schmidt

The former dead guy
resurrected four years ago
eats his favorite crab
sandwich in Bodega Bay,
on his 80th birthday,

then drives us up the coast
on an afternoon so blustery
it knocks us sideways
as we maneuver rugged
steps down to the black
sand of Shell Beach

where we watch wicked
waves explode onto
seastacked rocks, as
fine grains pepper our
otherwise white hair.

On the way back up,
he lurches left, but quickly
regains his balance, his
plumb line swinging back
to vertical.

We pause, take a breath
and turn to look at
the thundering sea in
all its glory doing what
it has for eons, what it
will do long after we are
no longer.

Windswept, we turn
and, mindful of every
precious step, walk
together into the rest
of our lives.

Walking to Shell Beach / Photo by Jan Haag
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Apostrophe

We all want to belong
to someone, something,
sometime,

and the deft eyewink of
the apostrophe affirms
connection:

the girl’s notebook
the girls’ soccer team
the boy’s piano
the boys’ campout

the art of belonging to one
or more than one.

But it’s more than that:
A bit of magic lies in
morphing two words
into one,

forming a contraction
that twines letters
into a new form,
bringing them closer,
like birds on a wire,
giving them a kind
of belonging they’d
never have had
alone.

Without that bit of
punctuational
confetti,

I’d not be me;
you’d not be you,
we who’ve loved
each other into
us.

2/13/23, for Dick Schmidt’s 80th birthday

Not old goat, as he likes to joke… this guy’s the GOAT! / Photo by Jan Haag
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Heebie-Jeebie Day

He long ago dubbed the day
before we leave on a trip
for the rushing, the packing,
the cleaning, the last-minuteness
before departure, when,

if we’re going to board a plane,
the imperative of packing tightly
results in late-night fussing
and too-little sleep.

But, when driving, say, to the coast,
eager to inhale restorative ocean,
I can mash three pillows into
a duffel to prop me up in sleep,

and extra snacks, because you
never know what craving might
hit you late at night,

and if we leave a bit later than
planned, seized by the sudden
need to water the plants on
the porch before we go,

so be it. And once we cross
the rubicon that is the mighty
Sacramento River, we know
that we are on our way to
familiar crab sandwiches
and clam chowder,

but we also know that
surprises await, the kind
found when we let go of
the woulda-coulda-shoulda
and embrace the why not?

When all the heebie-jeebies
evaporate until there’s
just us once again on
a tiny adventure in this
great one that we share.

Fanny, the Great Fantini Mangold, with Mary Lou Mangold’s suitcase, both of them now on heavenly journeys / Photo by Dick Schmidt
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Dude needs a haircut

Been trimming his hair since
it was dark brown, thick, straight,
easy to cut for an amateur like me,

though after all these years,
I suppose I’m a semi-pro, and my
fee has never gone up: a penny

or a kiss, as established by little
boys whose hair I cut as a favor to
their mom (can it be?) 40 years ago.

They offered the penny; I pointed to
my cheek and, blushing, they delivered
sweet pecks I still carry with me.

But this guy—he’s gonna be 80
in a couple of days, and though he
bemoans the appearance of his

sweet scalp, he still rocks thick
white fringe that grows heartily,
which I treasure, especially on a

warm February day when we can
haul the tall chair out to my backyard,
where he can perch and we chat

as I trim, thankful for every hair
on that head, for every cut I can
do, every day we have together,

which I plan to carry with me
for all the rest of mine.
Amene.

(Photo / Dick Schmidt)
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Tell your dog I said hi

Saw this bumper sticker on a gray
compact heading east on J Street
on a sunny Saturday, my fellow citizens
and I wearing our shades, basking
in the warmth like lizards after enduring
nine atmospheric rivers washing us
cleaner than clean.

Flooding, downed trees—so many
lost sentinels—had sobered us.
But the deluge washed our cars, too
(the ones it didn’t wash away),
and this memo on wheels made me
smile as I drove past it, waving,
calling, “Hi!” to an invisible dog
in the back seat, hoping to catch
a glimpse of a panting tongue
and hot breath decorating a window,
transmitting a sweet canine salutation.

I did not see one, and I realized that
the driver may have been like me—
a former dog companion who never
brought herself to replace the half-pint
retriever whose nails I swear I still
hear some nights clicking down the hall.

It’s simpler this way, I tell myself.
Dogs are like kids; cats are easier.

But for days I looked for them
in the back seats of passing cars,
and, sealed in my four-wheeled,
canine-free transport, I waved
at the dogs, who often rewarded me
with a silent bark and, without fail,
a broad, toothy grin.

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Luminous

I reach for words that float from
trees, from starstuff, from the heavens,
tack them lightly to the page in
imperfect order. Somehow they say
something I need to hear, often
something I thought I didn’t know.

I am looking for the whole of myself,
willing to hold the heaviest things
seemingly banished and buried, while
gazing at the repaired heart whose scars
gleam gold, beautiful in their healing,

remembering our perennial ability
to soar on gossamer wings through
the darkest nights, to rely on
an inexhaustible supply of words,
on images that bring the broken bits
together in transcendent ways,
if we let them.

Keep walking in the shadows.
Study and embrace what lies there,
our vessels stronger for the breaking,
for the restoration, the former shards
outlined with breath, with hints
of the luminous, even when it cannot
be seen—like clouds masking the sun.

When we fly over the canopy
of darkness, we find ourselves awash
in glorious light—radiant, unclouded,
glowing.

Collage / Jan Haag
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Driving toward the Sierra

There is no time not to love.
—Rainer Maria Rilke

Compare the jagged white line
against the sky to the top
of a freshly iced cake, the distant
mountains clearing the mind
like winter wind.

What you have held tightly,
and swore to always hold,
this is the time to let it go.

The windshield needs cleaning,
you think as you drive east.
Do not mistake this for another
metaphor, though it is that, too.

Keep the snowy peaks in view,
even as the foothills rise to
swallow them. Let them fill you
with breath; allow their immensity
to overtake you.

And when you get to your
destination, let your first exhale
release what needs releasing.
Dismiss everything that is not
love in favor of what is—

pure and cold and clean,
grateful.

(Sacramento skyline / Joe Chan Photos)

(With thanks to Joe Chan for the use of his lovely photo!)

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Frogsong

Against the panorama of cloud-free sky,
resident geese honk on their afternoon
commute, a singular scavenger angel

wheeling on the updraft, scanning for a meal.
In the distance I think I hear insects chattering
like so many voices trying to speak at once,

drawing me toward the spontaneous pond—
leftover rainwater in a gully pooling around
craggy oaks and fountains of sticks pointing

skyward with the promise of foliage to come.
I move closer, letting what turns out to be
the cacophony of amorous frogs wash over me,

smiling at the unceasing amphibian symphony,
one deep-voiced bassoon adding a pleasing
counterpoint. Abruptly it stops; the movement

has ended. I look up as a red-tailed hawk swings
a hard curve to land on a lofty oak arm.
Somehow the frogs know. Quiet: Danger is near.

A solo crow calls as it wings by, apparently
unruffled. Momentarily rooted, I study the hawk
studying me, the pond, the potential catch.

With one great flap it ascends and sweeps away.
An unseen maestro gives the signal to begin the next
movement, pianissimo at first, ribbits rising,

various sections adding their accompaniment,
building and blending, as I offer a silent standing
ovation for their timeless harmonic brilliance.

(To listen to the frogsong, click here.)

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How to tie your shoes

for Dawn Orosco, kindergarten teacher extraordinaire

I don’ wanna.
—You have to, Janis. You can’t go to kindergarten without knowing how to tie your shoes.
I don’ wanna.
—Look, it’s not that hard. See? You just make a little loop.
(Fumbling)
—Well, more of a loop. Like this. See?
(Lots more fumbling).
—No, like this. Here I’ll help.
I can do it.
—OK. Show me.
(Fumbling)
—Here. Let me help.
Thank you, Mommy.
—You have to learn to do this by yourself, Janis. Your teacher told the parents that she can’t be tying kids’ shoes all day.
I can read!
—Yes, you can, and that’s a wonderful thing. But you have to be able to tie your shoes, too. Keep practicing.
(Tears)
I can write my name!
—And that’s also a wonderful thing, but…
I don’ wanna go to kindergarten.
(Little sister) Mommy! I can tie my shoes.
—OK, Donna, but I’m working with Janis right now.
(Little sister sits down next to big sister, unties, then reties shoes. She is not quite 3.)
See? It’s easy!
(Tears)
I know, Mommy. I’ll go to school with Janis, and I can tie her shoes for her.
(Sigh)
Yeah, Mommy. Donna can come with me. I can read, and she can tie shoes.
(Sigh)
C’mon, Donna, I’ll read you “The Cat in the Hat” again.
And “Red Fish, Blue Fish,” too?
Sure!
Yay! Bye, Mommy!

Janis and Donna Haag, circa 1964
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