Said the guy towing a small trailer behind his bike on a Friday garbage morning, after he stopped, opened the blue bin in front of my house, searching for cans.
And I thought—as I installed a new little flag on my front yard with two fingers waving a peace sign— That’s the flag I want, one that says, Peace, Love and Bagels.
And make it an everything bagel to reflect everyone, especially those who come along behind us and quietly clean up what we so casually discard.
By mid-August, this is getting old, you guys. I mean, I’m glad you’re out here blooming your fool heads off, but to make sure you don’t expire too soon, I come outside and squirt you every other day, sometimes daily when it’s so ungodly hot we’re all burning up.
It’s not your fault, of course. I put you here. I’m responsible for you—at least for half the year. Come October, I figure you’re on your own. I’ll move some of you of you inside or to the front porch for a little protection over winter, but you guys in the big pots, in the ground, your survival is up to you and the whims of the garden gods.
Still, I fret in spring when it appears that some of you have not made it. I tend to leave even the brownest of you tucked in the ground, with the hope for life I can’t yet see. Now I watch the decay of stalks brittling in the heat, frown as the sycamore molts, throwing off curling browned leaves like so many feathers.
But hey, morning glories, you viney, invasive beasts, you’re still going strong, forever charming me with your show-offy purple skirts just translucent enough to gleam with fresh gulps of sunshine all day before twisting yourselves tight for the night, then like parasols you unfurl under the sun, earning my perennial, slack-jawed admiration.
(Top) Lantana; (above) morning glories / Photos: Jan Haag
…your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.
— Walt Whitman, from the preface to “Leaves of Grass”
This is when you get lost in the remembering, in the silent lines of the beloved’s lips and face,
in every motion and joint of the body that once was, and not just in the nakedness of that body,
which was, yes, a beautiful thing, but also in the remembrance of your very flesh,
in the days before jiggle and sag, which you no longer see in the body you own now.
But in photos and in dreams, the flesh that was a great poem comes to you, and you wish again
that you had admired it then, that you had listened to elders who admonished you
to cherish your beautiful body, the lovers who adored it, though you did not find it adorable.
It was, you know now. It so was.
And the surprise of this moment is discovering that this body, the garage for your soul,
still contains the richest fluency, that someone still gazes at you, loving the silent lines of your face—
the ones you wish you hadn’t earned, but you did, the ones cherished by someone who loves
every motion and joint of your body just the way it is.
Driftwood sculpture by Debra Bernier/ Shaping Spirit, Vancouver Island, British Columbia