Included

(for World Inclusion Day, Oct. 10)

Remember that pale blue dot,
that tiny speck of light in the dark
photographed by Voyager 1
beyond Neptune, some 3.7
billion miles from the sun?

When mission managers
directed the little spacecraft
to turn and look over its
aluminum/titanium shoulder
toward home one last time,

it snapped this photo and
transmitted it through space,
where, once received by Earthlings,
it was greeted with awe.

That’s here. That’s home. That’s us,
planetary scientist Carl Sagan wrote.

On it everyone you know,
everyone you ever heard of,
every human being who ever was,
lived out their lives… on a mote of dust
suspended in a sunbeam.

All of us alive on Valentines’ Day
1990 are included in that last
snapshot, before Voyager’s cameras
went dark forever.

In 2012, the little spacecraft
that could crossed into interstellar
space, and has not been heard
from again. But it’s out there
somewhere.

Just as everyone who inhabits this
pale blue dot is right now. How can
we not embrace each other as miracles
orbiting a small star in this galaxy?

How can we be anything other than
a collective of beating hearts in
this Earthly space reaching
out for others like us?

Pale blue dot, Valentine’s Day 1990 / Photo: Voyager 1
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DNA

(for Rebecca)

You know, it occurs to me
that I haven’t said to you,
dear niece,

how sorry I am for the passage
of your dear mama from life
into mystery,

feeling my own sorrow
swirled with gratitude for
the way she embraced me

as she embraced so many
others, her kind heart a
chip off your big-hearted,

tiny grandma, also DNA-linked
to your uncle, my squeeze.
But I am. I’m so sorry

that you’re paying this
huge price for deep love,
but so glad you got,

truly, one of the best
mothers I’ve ever seen.
You carry your foremothers’

big-hearted-ness, too,
you know, though you
will deny this,

just as your mother did.
But I know with my own
thankful heart what a

blessing it was to walk
into your mother’s house,
see her delighted look

as though the person
before her was exactly
whom she wanted to see.

Like you, her beloved
daughter, the one
she cherished every

day of your life,
you, the R. all of us
so treasure.

Margery Thompson with her daughter Rebecca Malekian at the wedding of Mitchell Malekian and Christina Honeycutt, Oct. 8, 2003, Kuau Cove, Maui

Photo: (Uncle) Dick Schmidt (who did not fake that double rainbow! It really appeared then and there on Mama’s Fish House beach!)
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Spelunker

Beneath the floorboards of this old house
a young man named Nick, a genius with pipes
and fittings, has wedged his slender self

between the dirt on which the foundation rests
and the old redwood planks that form its base.
He’s a spelunker, his boss says admiringly

as we stand in the basement looking at Nick
pretzeled into the womb of this old house.
His headlamp shines on the work before him,

his body cradled into a graceful U. This literal
cave man alone is worth the enormous cost
of this project, though I again ask myself,

Why replumb a century-plus old house
while this noble experiment in democracy,
the house on which we all stand, seems

to be crumbling? There’s no guarantee
that it will withstand what I fear is coming.
On the other hand, guarantees are for new cars.

We’ve never had a warranty on survival.
And we cannot know exactly what’s coming
our way. Meanwhile, beneath the floorboards

of this old house, a spelunker—who showed
me photos on his phone of magnificently
water-carved caves that he and friends explored

over the weekend, less than 100 miles from here—
jigsaws his way through the old pipe to install
the new. My feet detect the vibrations as I walk

through what I think of as home, praying that
it might withstand such a massive reformation
of its innards, that all this will ultimately

bestow new magnificence, adding to
the previous artistry, that things unknown,
being undertaken in darkness, are somehow

exactly what needs to be done.

•••

For Nick Heath and his colleagues and bosses at Drain Time Plumbing
with my admiration for their skill and my thanks for their speedy work
and kind understanding.

Plumber Nick Heath at work beneath my house / Photo: Jan Haag
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Janis on Janis

I have her Porsche,
a cookie jar version
with its wild paint job,

and though, as a teen,
I heard her “Bobby McGee”
growl on the radio,

I didn’t resonate with
this Janis who spelled
her name like mine

until after she was gone.
But the car—eventually
I, too, had a vintage Porsche

(not nearly as fancy
as hers) in my keeping,
primer gray for years

until a kind friend painted
it. Mine needed restoration,
thanks to a departed husband,

who, had he lived, would not
have left without the car.
But our name, dear Janis—

how did our mothers decide
to drop the standard “-ice”
on the end for “-is”?

Perhaps they didn’t want
to raise icy daughters, hoped
that we’d grow into thoughtful,

friendly, smart girls, the kind
who grow into strong women,
knowing their own minds,

confident in their gifts
with a sense of just how
great their worth “-is.”

And we did. We are.

•••

In memory of Janis Lyn Joplin (Jan. 19, 1943–Oct. 4, 1970)
from Janis Linn Haag (1958– )

Janis Joplin sits atop her 1964 Porsche 356C Cabriolet at San Francisco’s California Palace of Fine Arts, the only structure that survives on the site of the 1915 Panama–Pacific International Exposition. Photo / Jim Marshall (1968)
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Cherish

(for Donna and Eric Just’s
41st wedding anniversary)

•••

Cherishing is love with its sleeves rolled up.
—Gregory Boyle

You two make it look easy,
always have, for four decades
plus a year now. And while

the rest of us don’t see all
the behind-the-scenes
goings-on, what we do see

is a great team working
together seemingly seamlessly,
doing what needs doing,

caring deeply, each backing up
the other. We have observed
years of cherishing as you

continue to hold each other
dear, encouraging and
appreciating from

the early days when you
chased after children,
teaching them to walk

and talk and become good
humans, eventually launching
them into lives of their own.

Now look at you—
toting and chasing
grandchildren, again

making it look easy
as you swaddle the next
generation in the kind

of love you bestow on all
of us lucky ones circling in
your sweetly swirling orbit.

Eric and Donna Just, Kauai, June 2025

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Get Happy

(for Shelley Burns, who brings happiness
to so many, especially when she sings)

“Forget your troubles
and just get happy,” she sings.
“You better chase all your cares away.”

We walked carrying our cares, toting
heavy concerns and fears, but when
Shelley sings at the close of the show,

“The sun is shinin’, c’mon get happy”
her voice hallelujahs us into sunshine,
the blues chased away to a place

where there is no judgment—
the promised land as promised.
Some of us oldsters might remember

Garland’s version of Harold Arlen’s
first hit, but tonight we who sit
in the dark listening to this good band

find ourselves grateful for
a here-and-now rendition that
reminds us that our times,

fear-filled as they are, are not
the first we or the worst that this
country has seen.

We are not alone in wishing for
fewer troubles, for more happy.
Our hearts sing along, too—

please let us get to happy,
to that place where it’s all so
peaceful on the other side.

•••

Thanks to Shelley Burns and Avalon Swing for their great show at The Side Door Oct. 3, 2025, featuring the music of Harold Arlen, including “Get Happy,” which he wrote in 1929 with lyricist Ted Koehler and became the songwriting duo’s first big hit.

•••

You can watch Shelley Burns and Avalon Swing perform part of “Get Happy” here.

Avalon Swing—(from left) Tom Phillips, Shelley Denny, Shelley Burns, Bill Dendle and drummer Jeff Minnieweather (not pictured) perform at The Side Door Oct. 3, 2025.
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What happens to your heart when you die?

She smiled when she asked, her
7-year-old self so serious, so sincere,

and like all grownups confronted with
hard questions we haven’t answered

for ourselves, I said, “It just stops.”
And she said, “No more lub-dub?”

because she had heard hers
lub-dubbing away through a

stethoscope at the doctor’s office.
“No,” I said, “no more lub-dub.”

And I gave her a smile to match
hers. “Okay,” she said, and turned

to head for the swings. Halfway
there, she turned and looked back,

gestured for me to come with.
When I got close enough, she asked.

“What happens to my heart
when you die?”

She took my hand as I felt
the engine of my being miss

both a lub and a dub. “It gets
very sad,” I managed.

“But I’ll already be in your heart,
so you’ll carry me with you.”

She nodded. “Wherever I go?”
“Wherever you go,” I said.

“Okay,” she said, dropping my hand
and skipping toward the swings,

taking her seat and, pumping
her little heart out,

having no idea how deeply
embedded she is in mine.

Mosaic heart / Janine Vangool / Uppercase magazine
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Shreddin’

Surfers talk about it in terms
of waves they’ve zigged and zagged
and ridden till the swell fades,
dissolves into ocean.

But poets shred, too, tearing
into language with high energy
and skill. For those who surf
water or snow or concrete,

they mean mastery of the board,
confident wave control, a powerful
skillful style, perhaps a bit of flash
and flamboyance, too.

We word nerds try not to look
as if we’re trying too hard, that
we’re not kicking up a lot of spray
or carving big turns,

even when we are. Effortless,
we hope readers say.
Shreddin’ those lines, baby,
makin’ a nest that something

with feathers might want to
settle into, might sing the tune
without the words, and,
as the poet so gracefully said,

never stop at all.

•••

(in honor of National Poetry Day in the UK)

Empty nest / Jukhee Kwon, 2025
(made from one book)
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Symbiosis

Every single one of us makes a difference every day —
it is up to us as to the kind of difference we make.

—Dr. Jane Goodall, scientist, conservationist, humanitarian
(April 3, 1934–Oct. 1, 2025)

•••

Listen: Fungus gets a bad rap.
But the intricate microscopic web
of lacy white filaments

that make up mycorrhizal fungi—
in existence for 400 million
years—have learned to live

in symbiosis with 90% of all
species on the planet. You can
sometimes spot them branching

atop soil, their delicate strands
entwined like fingers. But they
typically connect plants via

underground fungal highways—
the wood wide web, scientists joke—
sharing nutrients and sending

warning signals about drought
or pest attacks. Literally feeding
each other, these invisible helpers

bolster the resilience of every
living thing around them as they
sink carbon into soil, fostering growth,

as they’ve done since the planet
was young. We topside beings
might take a lesson from such

supportive soil engineers that work
in harmony, in the dark, in silence,
forming mutually beneficial relationships

with species quite unlike themselves—
earthworms, fruit trees, tomatoes,
peppers, squash, flowers, grasses—

unseen threads that weave communities
together, never asking anything
of those they so peacefully serve.

•••

I learned about mycorrhizal (migh-koh-RIGH-zuhl) fungi decades ago from Dr. Jane Goodall when I heard her speak in San Francisco at the California Academy of Sciences where the Jane Goodall Institute was located. The notion that unseen networks can feed living things, in this case by a particular kind of fungi, was one of her metaphors for cooperation so desperately needed by humans. From chimpanzees to fungi and so much more, Dr. Goodall’s vast knowledge and gentle wisdom changed the world for the better in so many ways.

Artist: Melissa Buntin
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Gaggle

Driving down H Street
Tuesday midday when I come
to a dead stop behind several cars
in a spot that is unusually backed up.

I wait, wondering if there is a slow someone
in the crosswalk ahead.

Only when the single file
of cars begins to move forward
do I see them—a gaggle of two dozen
processing slowly, ceremoniously, their heads
held high and proud atop slender black necks,
silent and stately as princes,

unflappable, their feathers
not at all ruffled by the humans in their
wheeled machines who—to my great surprise
and delight, do not honk or try to rush
the proceedings—

instead wait respectfully,
bystanders observing nature on foot,
until the parade passes serenely by.

Canada geese / photographer unknown
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