Exceptional banyan

(Lihue, Kauai)

There’s no way to know how big
it was, how many slender trunks
twined themselves together,

a massive aerial root system
sending strands of itself earthward
to prop up what became

George Wilcox’s exceptional
banyan. Almost 130 years after
he planted what must have

been a slender shoot, we walk
into the jungle behind our
temporary digs to find a plaque

on a boulder praising the tree
behind it that decade after decade,
spread its adventurous roots

like a giant umbrella, morphing
into a huge grove, a single tree
transformed into its own

ecosystem for uncountable
numbers of birds and insects,
connected to infinite

generations of descendants.
Now we stand blinking into light
that should have been blocked

by the exceptional banyan,
stunned to see a vast swath
of open ground surrounded

by the detritus of hacked-up
trunks and limbs—
a great elephant defiled,

an arboristic treasure looted.
We think of the famous
Lahaina banyan that so many

have labored to save after
fire consumed that town.
Here stood its equally

magnificent cousin,
now an intentionally ruined
remnant of its former self.

We sigh with sadness,
photograph what’s left,
astonished by humans

who can in one moment
do something so thoughtful
and in another

wound a long-lived ancestor
with such short-sighted
thoughtlessness.

(Top) Part of what remains of George N. Wilcox’s “exceptional banyan” planted in 1895 on what was part of his Grove Farm. (Photo/Dick Schmidt)
(Above) The cleared area was once filled with the great banyan tree, now on the property of the Banyan Harbor Resort. (Photo/Jan Haag)
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Kalapaki

Know this curve of bay well.
Walked it, swam it, dug my feet

into its sandy slope so many times
it feels like one of the elements

of this island that have seeped
into me. Surely, my blood must

be half seawater by now. And,
just arrived again, he and I

sit under the sheltering arms
of a welcoming tree whose

name I once knew. Now I
do not. There are so many

things I do not know, I realize,
after collecting a lifetime’s

knowledge. Like how some
of us choose the more hateful

path, and some of us lean
into love with a heartiness

that, well, heartens my heart.
Him there, he heartens my

heart, the one with whom
I look out on ocean that

calls me, soothes me,
reminds me that, as Rick

told Ilsa, my fears don’t
amount to a hill of beans

in this crazy world. But
if you’ve got someone

to sit with and do nothing
but look at ocean waves

gentle themselves into
shore, you’ve got a winner

there, someone with whom
you can ride out the crazy,

who will remind you of
your infinitesimal place

in the world, and of the
greater-than-great space

that you happily occupy
in his equally huge heart.

Kalapaki Beach / Photo: Jan Haag

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How I want to fix what’s befallen you

Though I can’t—I know that—
you all tucked up into a grief-ful,
rage-ful ball. Or maybe you’re on
your feet, pacing or overflowing.

I get that. But I’m a tinkerer of sorts.
I want to pull out my little toolbox
with special devices that might
make it more better,
as my sister and I used to say.

Look—this doohickey fits into
that jagged spot in you, the one where,
yes, the light gets in, but you’re not
wanting that squinty brightness—
the jarring, painful, oh-shit realization
that this is a moment after which things
will never be the same.

And I’m right there with you.

But here, I’ve got this whatsit in
the toolbox that, if you hold the handle
just so, may help walk you to a spot where—
though you may not believe this—
if you open your half-shut eyes
and draw in a deep breath,

you’ll take in the tang of trees turning,
their greening done, preparing for
the let-go. Look. Imbibe their sturdiness,
their whatever-comes-their way-ness,
in this falling time. Isn’t that something?

Let me stand with you as you take all this in.

Honestly, I don’t have much in my toolbox
except these funny devices and two stubby
pencils and a small box of watercolors
with a wee brush. And oh, here are some
scraps of paper I made from pulp and slurry.
Perhaps you might adorn them with color
or words or both—maybe some fallen leaves—
whatever lands on the page.

I know that it’s far from substantial,
and none of this may help. But here’s
one more flimsy thing:

my own trembling hand, which I’m
offering to one of yours, perhaps
the best tool ever, especially when
two of them come together
palm to palm,

even—no, especially—
at a time like this.

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The morning after

The little tube of a pillow
that props up my arm
disappeared before

I made it to bed deep
into the morning after,
and, in the dark,

groping for its familiar
shape, I could not
find it. Gave up.

Finally fell asleep
and awoke a few hours
later, sore-shouldered,

bewildered. When I
finally rose into the day,
opening the blinds,

looking into the illuminated
back yard where two
birds in the sycamore

rested, eyes closed,
I saw the little lozenge of
a pillow, nested behind

the large propping-up
wedge. How it got there
I have no idea.

But I grabbed it, hugged
its squishy shape and
tucked it back where

I’ll find it tonight.
Comfort exists. Love
has not disappeared,

even if it might seem
to hide. You are still
out there. I am still

in here. There is
more us
than we may think.

Lake Tahoe sunrise / photo: Dick Schmidt

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Time change

Two days after we fall back,
my little atomic clock by the bed has not,
stubbornly clinging to the saving
time that yields more light.

I have to set it on the windowsill
as it waits—like E.T.—scanning the skies
for the right craft to wander overhead
and connect. Then it will change.

If I try to force it back an hour,
it revolts, shifts back to the time
it’s known for six months,
reluctant to shove into the darkening,
these two months leading to
the winter solstice—

after which, we, like the sky,
begin to brighten a bit
more each day.

E.T., the extra-terrestrial / Photo: Universal
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All will be revealed

Well, Lord a’mighty/Great Spirit/
The Is/Universal What’s-it/

whatever/whoever you are—
I sure hope so.

The when is what makes mortals like me
itchy with impatience—

when will it all be revealed? If it’s at
the very end, in our final moments

between slipping from here to there—
wherever there is—what good does

that do us in these flimsy human
lifetimes? Wouldn’t a great ta-da!,

the pulling open of the curtain be more
helpful in the—oh, I don’t know—now?

Any information not covered in the
instruction book (which went AWOL

a long time ago, by the way) could perhaps
answer the big questions like,

How does the stoplight know to turn red
just as you approach? And what kind

of miracle keeps hummingbirds’ wings
beating 70 times a second?

That purpose of life stuff? Easy:
We’re here to live and grow in love.

(That, and flush, which might turn out
to be the best advice ever.)

What I want to know is how to
comprehend the incomprehensible—

how to, say, describe the color of a particular
sunset, given that each one is unique?

Like pebbles. Or grains of sand. Or,
for that matter, you and you and you,

who are not unlike, say, me, no matter
how some insist that we’re so far apart.

How to define the surprise of kindness
that washes over us like soft rain,

or the blessing of love bestowed or
the devastation of it withdrawn?

Or a moment in time after which
nothing may ever be the same?

Or quantify the joy that leaps at us just
before a child does, delighted by our presence?

How are we granted these eyeblink
lifetimes with a banquet of possibilities—

the good, the bad, the beyond-belief ugly—
spread out before us, and not remember

to close our eyes and say,
thankyouthankyouthankyou,

a hundred times every day we’re granted
on this incredible gift of a planet?

Sunset, The Sea Ranch, Sonoma coast, California / Photo: Dick Schmidt

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Holy moment

…punctured by a holiness that exists inside everything.
—Mark Nepo, from “Adrift”

Just now. That moment. The one where you
stepped away from the has to to give in

to the want to, when you got up from your
chair and went to the kitchen, and, instead

of refilling your cup, you put your hand
on the cool knob of the back door and turned.

Like Dorothy, you stepped into a technicolor
world, and that—that moment—was when

you were wholly whole. The moment now
when you’ve realized it—that’s holy.

Dear God, you think, let me hold onto that.
And you do, for an instant, before it—

like a hummingbird who has whirred
close to you, like every other holy moment—

that flits away
as it’s supposed to.

Hummingbird / Photo: Joe Endy
(with my thanks for such an incredible image!)
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Slow turn

Leaves turn slowly in my neck of the woods,
which are not woods at all, but the streets
of the Capital City I call home,

which makes walking these days so colorful.
In parts more northerly and easterly
their autumn display has already peacocked

its way through the trees, but here it’s just
beginning. Every year, I find myself looking down
at my feet scuffing through leaf litter

that feels like treasure. Though we are far from
New England fall, geographically speaking,
our miniature version nonetheless provides

so much joy. Now I’m daydreaming
folks out with rakes, assembling leaf piles,
whether for the great claw to come along

and scoop up or to leave in a grassy place,
a decomposing pyramid of detritus-to-be,
just waiting for someone—

perhaps a small someone—to stand
back a ways, take a good running leap,
and jump in.

Lighted Autumn / artist: Erin Hanson
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If you die tomorrow

Let me say goodbye today.
Let me wish you well on your journey

before I get all teary and full of
would coulda shouldas

as we do when people we love
suddenly shove off for any

number of reasons. Or people
we don’t love in particular,

some we perhaps don’t know
well but we see often enough

that they feel like semi-
permanent fixtures in our

current existence. The older
Asian man at the gas station

who routinely bows when he
accepts my cash from behind

the counter. Susan, who cuts my
hair, or Eric, the pedicure guy,

who gives the best foot and
calf massage. The young woman

whose name I don’t know who
bags my groceries with engineer-

like precision. Former students,
thousands of them, whose names

have fled, but whose faces, some
of them, I recall—you in that seat

over there—who listened and wrote
things that I read and graded.

I hope I was kind. This human or
that one I pass on a walk,

especially the ones pushing
strollers with tiny mammals

inside, or those walking dogs,
sometimes equally tiny mammals,

often larger ones. I appreciate
the smiles, the wags. We are all

heading down the same path.
No one gets out alive. We’re

not meant to. But should you
head off into mystery before

I do, whether or not I remember
your name, let me say that

sharing this space with you—
one of the fixed stars in my

daily orbit—has been a gift,
whether I was bright enough

to recognize it or not.
So let me say goodbye.

Let me say thank you.

•••

For All Souls day, thinking of all the souls of our
companion spirits, the dear departed.

Walkers, 38th Street, Sacramento / Photo: Jan Haag
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Braggin’

I don’t like to, but…
Oh, why not?

But first I gotta math,
and I don’t math,
so what’s 356 times 2?

I calculator, though,
so… 712?

That’s, well, not
nearly as many as
some poets who’ve
put up their verses
daily for many years.

But as of today, this is
my 713th daily poem.
Two years!

And as another
everyday poet I greatly
admire says,

They don’t have to be good.
They just have to be done.

And if you think they’re
not good enough,
lower your standards.

It’s the practice that counts,
the not holding back,
just lettin’ ’em emerge,
not thinking about anything

but getting the words
on the page before they fly off,
as they can so easily do,
into some other

lucky poet’s head.

•••

Thanks to Rosemerry Wahtola Trommer for her terrific example of her
many years of daily poems and the encouragement to others like me.

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