We’re fellow travelers on a moonlit road through the night country, where there’s never any rush hour. —Frank Bruni, opinion writer, The New York Times
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The 3:45 a.m. email gets sent like a flashlight SOS in the night—
three rapid flashes, then three slow bursts, then three rapid flashes—
not so much in the hope of an immediate response,
but when one comes, we find ourselves buoyed
by the life ring thrown our way that can keep
us afloat if we grab it, hanging onto the
we-are-not-alone-ness of wakeful souls in the dark,
elation in receiving proof from afar:
You’re awake? I am, too.
Washington State Ferry Suquamish / Photo: Jan Haag
Who do you pray to when you don’t believe in God? she asks.
And somehow, jaw tightening, you bite down on the blurt— Whom!—the correction sliding down your throat like sweet cream,
for you are no longer in teacher mode, and your spine straightens, your wings tucking discreetly between your shoulder blades.
You want to say that belief has little to do with the existence—or lack thereof— of the divine, that a prayer doesn’t have to be uttered to anyone, anything, in any direction, to be acted upon.
It will be taken in, you want to tell her, by what can’t be seen, absorbed into air with her exhale of gratitude, transmitted through the tree in the front yard whose leaves have brittled in ungodly heat or vanished with the cold.
Even her unspoken help me soars up to the crow in that tree, issuing his own prayer for something tasty to appear.
The simplest plea—voiced or not— is heard and answered, you want to tell her, though you don’t because that would give away the ending.
She does not realize that she is the prayer, that she, all by herself, is the light-bringer, the breeze, the tree that only looks dead, the bird winging away.
The crow, you tell her, as if you know. You talk to the crow.
And for now, at least, she nods in— if not belief—something that rises, that, for the moment, feels like trust.
how’d you end up crawling across a dirty, cat-footed dish towel on the kitchen counter this rainy night?
As if I don’t know,
Diego having wandered in all soggy from a who-knows-where nap, undeterred by wet or mud between his toes,
to, yes, hop up on the counter and front-foot it into the sink for a drink—though, yes, he’s got a tall cup of water, just cat height on the floor. Apparently that’s for daytime drinking.
I do not want to know, little mollusc,
what part of the cat you rode in on. For now let me relocate you outside into your natural habitat, on some damp earth where you might live another day to munch your way through, say, leafy detritus or a bit of tasty hollyhock.
Go ahead, you tiny composter.
It’s spring. Plenty of volunteers to nibble out here, bobbling under nighttime drizzle, this misty gift of spring, like your slimy, sluggy self.
We’ve become hallowed vessels of mercy lined with grace after being hollowed out by the swift kick of departure,
imagining the vanished beloveds poofed into nothingness, when nothing could be less true.
It happens, they try to tell us, that they live on in particles of light, in warmth radiating from our nearest star, in the ka-thump of our cracked open hearts,
in the first blossoms making their annual debut after a long sleep, even in the desperate dark when it seems that every leaf, flower, birdsong has died.
But there they are—floppy wisteria earnestly purpling the trellis as bright green tendrils begin to decorate bare branches.
We look up at the trill of a winged visitor, then we bend to admire the sweet center of a wide-open poppy, and another, and another,
each a hallowed vessel of mercy, lined with grace, rimmed in light—whether flowering or hibernating— all that beauty ever with us, singing, truly never gone.
•••
For the Together We Heal writers, who turn grief into artful words each month in Elk Grove, California. More information available here.