You had to be careful when Grandma
came at you for a hug. She was what
we called an enthusiastic hugger,
which was lovely in its way, but,
depending on her choice of jewelry
that day, you could end up with an
imprint in your chest thanks to
one of her stabby brooches.
No one would tell her this, of course,
but my sister and I would eye the
conglomeration of chunky gems
winking at us, pinned between
her collarbone and shoulder, to
see if we could weather the embrace
in such a way as to avoid the stabby
brooch, not something her two
youngest granddaughters generally
admired. So imagine my surprise
when cousin Pat recently presented
us with some of Grandma’s costume
jewelry, and I found myself chuckling
over the pieces shared with my sister
and niece. “You got a stabby brooch!”
I chortled when Lauren showed off
a 3-D circle the size of a small jar lid
crusted with layered purple bits
sure to pierce the chest of a beloved
hugged tight. I, too, got a semi-stabby
brooch doing an impression of linked
snowflakes gleaming in white rhinestones
and a delicate pearl choker, one clasp
hanging by a tired thread.
No matter. These are not for wearing.
They’re bejeweled portals back in time,
links to someone who loved us so much
that her crushing hugs left a permanent
impression far deeper than we ever
imagined.


Love the term “stabby brooch”! Such a young voice. And LOVE the way the idea of making an impression does a turn in the end of this piece. Lovely!
Thanks, Sue! Yep, my sister and I coined some memorable phrases!
fabulous ending!
Isn’t it great when the writing of the poem leads you to endings like that? What a gift! As are your generous comments. Thank you!
I know! Rosemerry often talks about writing past what she knows, into the unknown until she’s surprised.