I wish I could have been there a century ago, sitting in what I imagine was your decidedly un-hip apartment, you brainstorming from a sprawling, padded armchair, your wife Jane at the typewriter—the two of you birthing a magazine with input from assorted writer and artist friends.
I fancy myself among your hip crowd, which, of course, you did not call yourselves, because you weren’t yet the literati of New York, the ones anyone who was anyone wanted at their parties.
I’d have given anything to sit next to Mrs. Parker, as you called Dorothy, even if she hit me with one of her zingers, and listen to Mr. Benchley joyfully trade clever lines with Mr. Woollcott. And over there, quietly in the corner, Andy White, the wizard of short essays, still decades away from penning Charlotte, the spider, and his beloved Katharine, the sterling fiction editor, who shaped some of the best writers of the 20th century.
And if, by some chance, I could have had a word with you, I’d have asked if there might be a spot for me on your soon-to-be beloved New Yorker, the magazine destined to weather a whole century, the best of the best,
whether you could foresee it or not, your dream come true, one that so many of us admire to this day.
Sincerely yours,
Jan Haag
•••
Harold Ross (a high school dropout-turned-newspaperman from Colorado who read dictionaries and Fowler’s “Modern English Usage” for pleasure) founded The New Yorker magazine with his wife and co-editor Jane Grant (the first woman reporter in The New York Times city room) in 1925. That was after Ross had been to war and edited the Army’s Stars and Stripes newspaper, after which he served as editor of three other New York magazines.
The New Yorker thrived under Ross’s leadership until his death in 1951, becoming a source of in-depth reporting, political and cultural commentary, fiction, poetry and humor, which it maintains to this day.
A departure for today… instead of a poem, a reminiscence of our friend and former Sacramento Bee colleague Walt Wiley, who died July 13. Sending much love and gratitude to him and to his many loved ones, especially his devoted family.
•••
I cannot quite wrap my head around two facts: that next month it will be 20 years since Walt Wiley, one of the best journalists ever to pound a typewriter, retired after about 37 years as a reporter and columnist for The Sacramento Bee. And the fact that his old journalistic friends like me must now put a -30- around Walt’s name—the newspaper code for the end of a story.
Walt Wiley died in Sacramento at age 86 on July 13.
I am certainly not one of Walt’s oldest buddies or colleagues, though I met him when I worked at The Bee as a copy editor in the early 1980s. And I was not a regular at the too-early breakfast gatherings Walt and other former Bee folks (Steve Gibson as well as my partner Dick Schmidt, among others) convened in the last 15 years or so at the Tower Café and Café Bernardo—though I did make periodic appearances as a former “girl reporter” (my term that made them laugh; these thoughtful feminists would never have used such an chauvinistic phrase).
Walt Wiley, Steve Gibson and Dick Schmidt at Tower Cafe, Sept. 24, 2019
But I was a great admirer of Walt’s writing, especially in his Roads West days, when he’d travel through western states looking for unusual stories and even more unusual people to profile for The Bee. And in Walt’s last three years at The Bee, writing a weekly column that consisted of smallish “items,” I was delighted to be one of his sources when the well was running, if not dry, then low.
Walt compared his job to the Greek myth of the boulder-pushing fellow named Sisyphus, telling former Bee colleague Bob Walters that a columnist must start rolling the rock up the hill every Monday, only to find it at the bottom the next week.
I was teaching journalism and advising the student newspaper at Sacramento City College when Mr. Wiley (as I loved to call him) would ring me at my old-fashioned desk phone and say, “Haag? Wha’cha got goin’ on out there? I’m suckin’ wind here.”
This never failed to make me laugh, knowing that he needed another item or two for his column, as he checked in with sources all over town who might have just the right tidbit. I was delighted when I could offer him some campus-based ideas.
Naturally, I invited him to the college every semester to talk to my journalism students, who loved his Texas twang that Walt never quite lost, along with his great stories. In return, they’d share some of what they’d dug up on campus—and quite a number of those pieces became items in Walt’s column.
Walt Wiley at his retirement luncheon at The Zebra Club, Aug. 26, 2005 / Photo: Dick Schmidt
So it was, when Walt’s last column ran in the Bee on Sept. 1, 2005, I was surprised and touched to find my name in a who’s who list of local folks who had offered him potential items from time to time. I can’t recall a journalist printing the names of people who’d offered those precious snippets of information—some of which worked for his column, some of which didn’t—but there was Walt naming more than 20 of us.
I’d been a journalist at newspapers, an international wire service and a magazine, and I’d never thought to compile a list of sources, much less to thank them publicly. But that’s the kind of classy guy Walt Wiley was.
He was also a fine writer, as well as a careful reporter, though he pooh-poohed that. From a story he freelanced to The Bee eight years after Walt retired about spending a summer as a volunteer campground host at Lassen Volcanic National Park:
“…My last day on the job a German shepherd ventilated the back of my blue jeans (and the underlying flesh) just as I was preparing to head home.”
That’ll make you want to read on, right? (Also “ventilated” is a pretty nifty verb.) I also got to hear Walt read when, on many occasions, he trudged up the steps to an old midtown loft where I hold writing groups, and he sat in and wrote “for fun.” The quotes are his. Like many reporters of his era, Walt wrote for food, for a paycheck. He didn’t generally write “for fun.” But he did now and then because someone urged him to, knowing he had great stories he’d never had published.
Retired Sacramento Bee staffers (from left): Dick Schmidt, Bill Lindelof, Steve Gibson and Walt Wiley, Sept. 24, 2019
I published a couple of them in a small chapbook I put together annually for the people who write with me. Walt didn’t think much of his pieces, though he got a kick out of being included with (and I think this surprised him) some excellent writers. It was certainly not his pinnacle as a writer, but it reminded him that he wasn’t done as a writer, that he still had words to put on pages.
I never stopped reminding him of that, no matter how much he “pshaw”d me. And that’s how I’ll remember Mr. Wiley—as a fine writer, as a careful, responsible reporter, as a gentle man of great character and humor. May his great voice (suckin’ wind or not) live on.
Walt Wiley and Steve Gibson, Orphan Café, April 10, 2013 / Photo: Dick Schmidt
Perhaps it’s the tree of my dreams grown larger, the horizontal branches that cradled me now softened by memory.
Or is it the dreaming tree, that long gone, leaning oak in my childhood back yard? I have known many other trees,
loved plenty of them—whether visiting and giving them a friendly pat or living near these vertical neighbors
photosynthesizing carbon dioxide and water into oxygen to formulate the very air we breathe. They stand
in my front yard, summering— the great Japanese maple and the little green fans shimmering on the gingko.
I love to tarry beneath the towering sycamore in the back, its umbrella of shade lingering over two houses.
It is the great-grandmother of the block, one of our oldest ancestors, having lived here far longer than we have.
And the neighboring sycamores, too, planted in front yards up and down street after street, dreaming
their arboreal dreams, shading us as they have for nearly a century, when this city was much younger.
We hope they survive us. We hope they continue to hold up the sky.
•••
Remembering Julia Ellen Cook Behrman Portz, born this day in 1916—mentor, friend and spiritual teacher— who taught me the finer points of meditation while sitting in a great oak tree in her back yard.
The backyard sycamore fully foliaged / Photo: Jan Haag
It feels as if you’re being given an extra life to live. —Dara Barrois/Dixon*
Or maybe it’s the third or fourth or hundredth chance— you’ve lost track, as you should. Doesn’t matter.
It feels as if you’ve been given an extra life to live, granted a reprieve or been excused from duty.
Perhaps you were pulled back from the precipice. Or, shoved over the edge, you have clawed
your way back up because (and you know this now) someone up there was waiting for you,
calling down encouragement, or offering a hand to help pull you back among the living.
Because you thought you were dead, or about to be. You thought you’d never survive.
Maybe you didn’t want to. But you did. And hey, it’s not that you owe the world anything,
that you “learned your lesson” or now you’ll do things differently. But you can, if you want.
Your one wild and precious life has been extended, and you don’t have to know how you’ll live it.
All you have to do right now, just this minute, is to walk or roll or crawl to an open door
and, like the dogs, sniff the air and get yourself outside. If there’s sun, close your eyes
and look up. Smile. You don’t have to say it— the thank yous will ooze through your pores,
or raindrops will tap dance on your sweet face. It doesn’t matter—it really doesn’t—how many
days or months or years you have left. You have them, lucky you. Lucky us,
we who get to love you a little longer.
•••
* Dara Barrois/Dixon—the wife of the late poet James Tate—said this about compiling her husband’s poems into a posthumous collection, “Hell, I Love Everybody: The Essential James Tate.”
And with gratitude to the patron saint of poetic wisdom, the late Mary Oliver, for her oft-quoted phrase, “your one wild and precious life” from her poem, “The Summer Day.”
In my dreams I’m there, scuffing my way over blackened earth still smelling of scorch, of the fire days earlier that cleared every foot of open space of rolling landscape where I was about to live.
Somehow the neighbors got their horses to safety, the firefighters saved the houses, even the little studio attached to the garage that three days later I would call home.
That summer night I was 40 miles away, tumbled into bed with a volunteer firefighter, who, had he known, would’ve also taken up hose and ax in those burning hills in his grimy turnout gear and ashy boots.
Instead, the spark between us flared into a kind of heat new to us both, having no idea what we were igniting, no concept of what we would be together.
And, on the cusp of everything to come, walking through aftermath the color of crows, carrying a bit of his shame that he had failed his fellows, along with my own what ifs,
I knew that neither of us would have done it differently, even if we had known.
Firefighters in the Hollywood Hills, January 2025 / Reuters / Carlin Stiehl