Two days after we fall back, my little atomic clock by the bed has not, stubbornly clinging to the saving time that yields more light.
I have to set it on the windowsill as it waits—like E.T.—scanning the skies for the right craft to wander overhead and connect. Then it will change.
If I try to force it back an hour, it revolts, shifts back to the time it’s known for six months, reluctant to shove into the darkening, these two months leading to the winter solstice—
after which, we, like the sky, begin to brighten a bit more each day.
For Sweet Adelines, it’s all about the show, and there they are, the whole chorus, every woman costumed for Halloween,
singing their hearts out, Mom in her witch’s hat pointing skyward, her plastic crooked nose hanging from black glassless frames.
Kiss today goodbye, the sweetness and the sorrow. Wish me luck, the same to you, but I can’t regret what I did for love…
She cannot stand unaided, her hands on the walker’s rubber grips, eyes forward, seeing so little, but singing her heart out:
Look, my eyes are dry— the gift was ours to borrow. It’s as if we always knew, and I won’t forget what I did for love…
She sang at three performances last week, blending her baritone with other women who feel like like family—barbershoppers all,
harmonizing the world with a song, ringing chords with such heart it makes me weep halfway across the large room. She lives for this.
Gone— love is never gone, As we travel on, love’s what we’ll remember…
As long as she’s singing, she’s here, enveloped by those who’ve slipped into that great chorus in the heavens, dear faces she envisions, voices she
still hears from the days when she stood shoulder to shoulder with her dearest friends who together harmonized the world with a song.
Kiss today goodbye, and point me toward tomorrow…
No matter how many tomorrows, each day quickly turning into another yesterday, may she join them in song here or there.
Love’s what we’ll remember, indeed.
(Top) Delia Price and Darlene Haag, Sweet Adelines buddies in the Sacramento Valley Chorus; (above) The Extension Chords small chorus, part of the Sacramento Valley Chorus of Sweet Adelines, at the Batastic Halloween show, Oct. 26, 2024. (Photos / Jan Haag)
You, more recently in my life, never knew him, but let me show him to you:
Here he is, dark hair shot with early white, hunching slightly over the kitchen counter, chopping onions, carrots, something, making things, making food. For me.
There he is—well, his long legs— sticking out from under the old Porsche he’s restoring, and when I ask if he’d like a sandwich, he says no, “But a beer would be great.”
He makes his own, though he’s an equal-opportunity kinda guy. Any beer will do.
“Hang onto it,” he says. “I’ll be done here in a bit.”
And I wait to see him slide out feet first on the roll-y thingie he uses under cars, the former Coast Guard mechanic, forever tinkering,
if not with an engine, then at the table saw figuring out how to make the Arts and Crafts-style recliner he saw in a catalog,
or lugging home grapes in autumn, ready for mashing, for fermenting, for wine to come, or boiling hops on the kitchen stove, the aroma filling the whole house.
My heart still sees him there.
We know that the timeline of grief, of each mourning for specific beloveds, does not fit on a graph or chart, certainly is not linear. And, after all this time, it is far from fresh, his absence.
But you didn’t get a chance to know him. You would’ve liked him, I think.
There he is now—kneeling by the mower in the back yard, tinkering, checking, raising his head to find me across the grass, flashing his wide grin,
as happy to see me as I am him.
•••
Today is the 40th anniversary of Cliff Polland’s “valve job,” as he called it, the replacement of his aortic valve, which gave him another 17 years of life.
Jan in Cliff’s in-progress Porsche 356A, after being painted by Scott Lorenzo in Sacramento, 2003 / Photo: Dick Schmidt
on to the next in to the breach unto the horizon just out of reach
over to the side in view of the sea nearby lies you next to lies me
between or betwixt because of, you say under or over apart from the fray
during & after alongside we go amid all the laughter around, to & fro
before you, just me after you, we two until the end, even beyond together we do
•••
Remembering that a preposition, as some folks like to say, is anything a cat can do, they’re also little connecting words that show direction, usually used before a noun or pronoun. You’ll find a lot of them in this poem because I love me some prepositions! Once a grammar teacher…